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Le Fil jaune' est la première monographie d'envergure consacrée à l'oeuvre de Baudouin Oosterlynck (Courtrai, 1946). Pionnière dans le domaine de la performance et de l'installation sonores, sa démarche artistique débute au milieu des années 1970 dans un contexte international. Cet ouvrage qui en explore les multiples facettes nous montre de quelles manières cet artiste à l'écoute du son et du silence du monde explore les relations entre le corps, l'espace et le son. À travers des pièces sonores qui prennent la forme de prothèses acoustiques, de partitions dessinées ou d'instruments réduits au silence, c'est aussi l'activité d'écoute du public qui est mise en évidence. Un catalogue reproduisant ses ouvres majeures est accompagné d'un important essai critique d'Eric de Visscher (Directeur du Musée de la musique - Cité de la musique à Paris), ainsi que d'analyses de pièces spécifiques rédigées par Laurent Busine (Directeur du MAC's) et Denis Gielen (Adjoint à la Direction du MAC's).

Art and music --- Music in art --- Art et musique --- Musique dans l'art --- Exhibitions. --- Expositions --- Oosterlynck, B. --- Muziek in de kunst --- kunst en muziek --- Oosterlynck Baudouin --- 7.071 OOSTERLYNCK --- kunst --- België --- twintigste eeuw --- eenentwintigste eeuw --- muziek --- Exhibitions --- Oosterlynck, Boudouin --- Installations (Art) --- Contemporary art --- Belgium --- 78.49 --- Composers --- Composers. --- Installations (Art). --- Soundscapes (Music). --- Oosterlynck, Baudouin, --- Belgium.

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Underground : busking, acousmatics, and the echo -- Home : ethical volumes of silence and noise -- Sidewalk : steps, gait, and rhythmic journey-forms -- Street : auditory latching, cars, and the dynamics of vibration -- Shopping mall : muzak, mishearing, and the productive volatility of feedback -- Sky : radio, spatial urbanism, and cultures of transmission.

kunst --- muziek --- kunst en muziek --- geluid --- klank --- akoestiek --- gehoor --- stedelijkheid --- stedenbouw --- omgevingsgeluiden --- achtergrondgeluiden --- stilte --- 130.2 --- 78 --- Sound in mass media --- Son dans les médias --- Performance art --- Sound --- Acoustics --- Continuum mechanics --- Mathematical physics --- Physics --- Pneumatics --- Radiation --- Wave-motion, Theory of --- Mass media --- Arts, Modern --- Happenings (Art) --- Performing arts --- Social aspects --- Performance art. --- Son --- Art de performance --- Social aspects. --- Aspect social --- Acoustique --- Bruit --- Pollution --- Nuisance --- Sociologie de la culture --- Sound - Social aspects

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Collaborators and friends, Laurie Anderson, Trisha Brown, and Gordon Matta-Clark were at the cutting edge of Manhattan's burgeoning downtown art scene during the 1970s. This catalogue examines the crossover of these artists' practices and the influence of their work on each other.

Art, Modern --- Artists --- Anderson, Laurie, --- Brown, Trisha, --- Matta-Clark, Gordon, --- SoHo (New York, N.Y.). --- 7.038 --- Anderson Laurie --- beeldhouwkunst --- Brown Trisha --- dans --- installaties --- kunst --- kunst en architectuur --- kunst en dans --- kunst en muziek --- Matta-Clark Gordon --- muziek --- New York --- performances --- seventies --- twintigste eeuw --- Verenigde Staten --- Persons --- Matta-Clark, Gordon --- Matta-Clark, G. --- Brown, Patricia Ann, --- Brown Schlichter, Trisha, --- Schlichter, Trisha Brown, --- Trisha Brown Company --- Anderson, Laura Phillips, --- SoHo (New York, N.Y.) --- Hell's Hundred Acres (New York, N.Y.) --- South of Houston (New York, N.Y.) --- South of Houston Street (New York, N.Y.) --- Exhibitions

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Abramovic Marina; Vito Acconci; Doug Aitkin; Maryanne Amacher; Laurie Anderson; John Cage; Kim Cascone; Martin Creed; Philip Dadson; Paul Demarinis; Bill Fontana; Kim Gordon; Dan Graham; Joyce Hinterding; Rebecca Horn; Ryoji Ikeda; Mike Kelley; Christina Kubish; Bernhard Leitner; Alvin Lucier; Len Lye; Christian Marclay; Robert Morris; Max Neuhaus; Carsten Nicolai. Herman Nitch; Yoko Ono; Nam June Paik; Luigi Russolo; Karin Sander; Mieko Shiomi

hedendaagse kunst --- art theory --- philosophy of art --- sound art --- thema's in de kunst --- art [fine art] --- Art --- Contemporary [style of art] --- sound [acoustics] --- Nicolai, Carsten --- Shiomi, Mieko (Chieko) --- Graham, Dan --- Neuhaus, Max --- Sander, Karin --- Leitner, Bernhard --- Kelley, Mike --- Snow, Michael --- Kubisch, Christina --- Tone, Yasunao --- Amacher, Maryanne --- Ikeda, Ryoji --- Viola, Bill --- Lucier, Alvin --- Paik, Nam June --- Dadson, Philip --- Anderson, Laurie --- Marclay, Christian --- Creed, Martin --- Abramovic, Marina --- Morris, Robert --- Cascone, Kim --- Hinterding, Joyce --- Aitken, Doug --- Ono, Yoko --- Vitiello, Stephen --- Acconci, Vito --- Nitsch, Hermann --- Horn, Rebecca --- Lye, Len --- Gordon, Kim --- Russolo, Luigi --- Marinis, De, Paul --- Fontana, Bill --- Cage, John --- anno 2000-2099 --- anno 1900-1999 --- Sound in art --- Arts, Modern --- Sound in art. --- 7.049 --- Beeldende kunst ; geluid in de hedendaagse kunst --- Thema's in de kunst ; geluid --- Sound Art --- Beeldende kunst ; 20ste en 21ste eeuw --- Iconografie ; verschillende onderwerpen --- Shiomi, Mieko --- 78 --- kunst en muziek --- muziek --- klank --- geluid --- kunst --- 130.2 --- 7.039 --- 7.01 --- stilte --- performance --- cultuurfilosofie --- twintigste eeuw --- eenentwintigste eeuw --- Arts, Modern - 20th century --- Arts, Modern - 21st century --- art [discipline]